In the season debut, The One Armed Man asked: “Is it future or is it past?” Up until this point, the arrangement has principally been worried about the future, acquainting us with new characters and stories both outside of Twin Peaks and inside it. While I’ve actually delighted in the augmented extension and cold pacing, I realize that it’s been a baffling ride for those fans who don’t have the persistence to watch a scarcely working man fastidiously doodle for six hours.
Be that as it may, if Parts 1-6 have been the future, at that point Part 7 is certainly the past. It’s the most clearly “Twin Peaks-y” scene yet, spending the larger part of its screen time in the town of Twin Peaks and with the characters that we know and love from the first arrangement. It’s a hour stacked with cool callbacks and great references which are certain to fulfill individuals’ wistfulness desires. Indeed, even the scenes occurring outside of Twin Peaks relate back to plot points of interest and characters from the first. Also, as anticipated, the detectably truant and distressfully missed Angelo Badalamenti soundtrack is beginning to sneak in as we sink additionally once more into the universe of cherry pies and fog secured Douglas Firs.
In Twin Peaks, Deputy Chief Hawk (Michael Horse) shares his lavatory slow down discoveries (the letters) with Sheriff Frank Truman (Robert Forster). As suspected, the pages are from Laura Palmer’s mystery journal, the one she provided for hermit Harold Smith for safety’s sake. Contained inside these sections is Annie Blackburn’s fantasy message she provided for Laura in Fire Walk With Me: “The great Dale is in the Lodge, and he can’t take off.” Another page of the journal proposes that Laura realized that her abuser was her dad and not BOB. Sell presumes that Leland Palmer was the one that concealed the pages — it fits so flawlessly you’d nearly think these components were purposefully set up 25 years ahead of time.
Afterward, Frank calls his sibling Harry however chooses not to trouble him with Cooper refreshes given his evil wellbeing (it sounds like Harry has growth). Rather, Frank logs onto Skype with Doctor Hayward (the late Warren Frost), one of the last individuals to see Cooper upon his arrival from the Lodge. In an arrangement with talking tree-brains and malevolence doppelgangers, it’s peculiar how a Skype visit appears the most strange — discuss the past meeting what’s to come. The Doc reviews that Cooper was acting “relentless weird” and was most recently seen escaping ICU where he trusts he was going by an incapacitated Audrey Horne. While the news that Audrey survived the bank blast is delightful, the proposal that Evil Coop went to visit her could have pulverizing outcomes (which I’ll get to in the hypotheses area).